A brutalized woman is left for dead. But dead is the one thing she isn't. With a stolen horse and rifle, she escapes into the mountains, and a small posse of her tormentors has to gear up and give chase--whether to beg forgiveness or shut her up for good, nobody knows. With detours through time, space and myth--not to mention into the minds of a pack of philosophical mules--Pity the Beast is a mind-melting feminist Western that pins a tale of sexual violence and vengeance to a canvas as wide and strange as America itself. It's a novel that turns our assumptions about the West, masculinity, good and evil, and the very nature of storytelling onto their heads, with an eye to the cosmic as well as the comic. It urges us to write our stories anew--if we want to avoid becoming beasts ourselves.

Dark, profane, and hilarious, yet ultimately humane, these ten stories are the latest and best of Robin McLean's reports from the eternal battlefront that is the United States. Ranging across the continent, from Alaska to Missouri, from the flatlands to the mountains, each tale is a snapshot of the political, racial, and sexual undercurrents roiling contemporary life, and each finds a way into the nerves and blood that pulse beneath the question of how to live a decent life. Here you'll find stolen children living life to the fullest on the run and on the road, soldiers guarding empty frontiers, and rugged individualists brought low by an uncaring nature. You'll find prehistoric beasts rubbing talons with hustlers as well as death machines lurking beneath the bucolic countryside. Here you'll find hatred, friendship, and pitch-black humour all seething in the same stew. Get 'em Young, Treat 'em Tough, Tell 'em Nothing marries the sardonic moral and political explorations of a Flannery O'Connor to the surreal, scuzzy wit of a Denis Johnson. It is a brazen State of the Union for a nation on the edge.

Millennia ago, Ginny's family farm was all grass and rock and wild horses. A thousand years hence, it'll all be peacefully underwater. In the matter-of-fact here and now, though, it's a hotbed of lust and resentment, because Ginny's just cheated on her husband with the man who lives next door. When a crowd of locals-including Ginny's bitter sister Ella-turn up to help out on the farm, a day of chores turns into a night of serious drinking, and then of brutal, communal retribution. By morning, Ginny's been left for dead. But dead is the one thing she isn't. With a stolen horse and rifle, she escapes into the mountains, and a small posse of her tormentors gears up to give chase-to bring her home and beg forgiveness, or to make sure she disappears for good? With detours through time, space, myth, and into the minds of a pack of philosophical mules, Pity the Beast heralds the arrival of a major new force in American letters. It is a novel that turns our assumptions about the West, masculinity, good and evil, and the nature of storytelling onto their heads, with an eye to the cosmic as well as the comic. It urges us to write our stories anew-if we want to avoid becoming beasts ourselves.

The characters in these nine short stories abandon families, plot assassinations, nurse vendettas, tease, taunt, and terrorize. They retaliate for bad marriages, dream of weddings, and wait decades for lovers. How far will we go to escape to a better dream? What consequences must we face for hope and fantasy? Robin McLean's stories are strange, often disturbing and funny, and as full of foolishness and ugliness as they are of the wisdom and beauty all around us. Robin McLean holds an MFA from UMass Amherst. She teaches at Clark University and lives in Bristol, New Hampshire, and Sunderland, Massachusetts.